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Elsewhere
ongoing series
Exalted landscapes around the world that scream to us in an ancient language of a memory that lies within their materiality.
ongoing series
Exalted landscapes around the world that scream to us in an ancient language of a memory that lies within their materiality.
Biennale di Venezia 2019
Padiglione di San Marino
role: Photographer as part of the creative team for Martina Conti's video performance Exercises for a polluted mind
Ritual and choreography as a means to heal the body that in return, and alongside other bodies, runs the state. Willing members of the San Marino parliament attended a two-day choreography session run by sammarinian dancer and choreographer Martina Conti for a two-hour movement session before their parliamentary hearings. This happened at the same time as the annual Spring Equinox healing ritual of the San Giuseppe fire, where great pyres blazed through the night as a means to recharge another important body- the landscape, towards a more fruitful and bountiful summer.
Padiglione di San Marino
role: Photographer as part of the creative team for Martina Conti's video performance Exercises for a polluted mind
Ritual and choreography as a means to heal the body that in return, and alongside other bodies, runs the state. Willing members of the San Marino parliament attended a two-day choreography session run by sammarinian dancer and choreographer Martina Conti for a two-hour movement session before their parliamentary hearings. This happened at the same time as the annual Spring Equinox healing ritual of the San Giuseppe fire, where great pyres blazed through the night as a means to recharge another important body- the landscape, towards a more fruitful and bountiful summer.
Still, Life
ongoing series
Understanding life and the material that sustains it.
ongoing series
Understanding life and the material that sustains it.
Self
The Self series includes some of my earliest photography works taken in my immediate everyday surroundings: my family home, the garden, the beach in Marsaskala which I have frequented all my life. I was in my late teens at the time, and had started venturing in the fashion industry as a model. This period proved to be frustrating as I did not like the way I was portrayed in shoots and catwalks, so my self portraits were a means to reclaim my looks and my space in order to achieve a state of beauty which I found to be more raw, more true and more authentic.
The Self series includes some of my earliest photography works taken in my immediate everyday surroundings: my family home, the garden, the beach in Marsaskala which I have frequented all my life. I was in my late teens at the time, and had started venturing in the fashion industry as a model. This period proved to be frustrating as I did not like the way I was portrayed in shoots and catwalks, so my self portraits were a means to reclaim my looks and my space in order to achieve a state of beauty which I found to be more raw, more true and more authentic.
Others
ongoing series
ongoing series